Vampire Movies to understand the Genre

The May 26, 1897 was first published dracula of bram stoker and the world was never the same again. The figure of the vampire is one of the most recognized icons in history and, therefore, has a surprising ability to represent and discuss complex issues. His versatility and dynamism elude all the mechanisms of censorship and rejection of a given time, so his symbols help to better understand different facets of the human being.

Therefore, we present here some vampire movies that you must see to better understand the genre.

The vampire and sensuality

Sexuality is one of the quintessential themes that characterizes vampires. Since 1931, when Bela Lugosi first appeared as draculathe vampire became the personification of desire and many of the vampire stories strive to show the difficult relationship that libido has with modesty and social taboos.

Francis Ford Coppola tried to explore that in a more direct way with Bram Stoker’s Dracula (1992), where the aesthetics of the characters and their environment show us that the fear professed by vampires does not come only from the idea of ​​a stranger invading our home, but from their sensuality and confidence. A stranger who is as mysterious as he is attractive, and who seduces us to the point of questioning our beliefs, can be very dangerous.

The vampire and homosexuality

As the vampire at the end of the day is not a human being, he can explore the most controversial parts of society, such as homosexuality. interview with the vampire (1994) explored the difficulties and changes in the relationship of two men through time. They may hide it behind a façade of existential anxiety for his immortality, but there are moments between Brad Pitt Y Tom Cruise that display an eroticism and an undeniable chemistry.

The same goes for Dracula’s Daughter (1936), that told the relationship between two women: a vampire (Glory Holden) and the human Janet (Marguerite Churchil). Although Holden’s character also shows romantic interest in a man, the chemistry and interactions he has with Janet are clearly a display of the fear and curiosity of experiencing forbidden love.

Vampire Movies: Interview

The vampire as a political statement

A girl comes home alone at night (2014) caused a stir for being the first film Iranian of vampires, for being directed by a woman and for having a very strong political message. Ana Lily Amirpour sets its story in pre-revolutionary Iran, where a strange girl wearing a burqa murders cruel and abusive men. The messages against the patriarchal society, the abuse of power and the rights of women are clear and uncomfortable, and the presence vampiresque of its protagonist is what helps it to be even more pungent.

Its strength and intensity make it one of the essential vampire movies to understand the potential they have to tell a complicated and deep story.

Vampire Movies: A Girl Walks Alone

Blacula (1972) it has everything to be a joke, but within that irreverence it is one of the best horror movies to understand the interracial struggle in the United States (trembles, Get Out!). The story centers on Mamuwalde, a slave who tries to build a revolutionary movement, but ends up turned into a vampire and locked in a coffin.

The paths of life take him to the 1970s, where he is confronted with various white symbols of authority, who persecute him simply because he affects the status quo and questions white supremacy in society.

Vampire Movies: Blacula

vampires and war

A year after the Vietnam War ended, death dream (1974), a story about a boy who is killed during the war but mysteriously returns as a vampire hungry for human blood. The story attempts to explore how difficult it is to return home after experiencing the traumas of war, when a soldier arrives empty of emotions and finds no place in the society he once was a part of.

This is another vampire movie that definitely tries to explore the most complicated corners of human life, and should not be missed by anyone.

death dream

vampires and adolescence

twilightyou (2008) has all of pop culture against it, but thanks to Edward Cullen (Robert Pattinson) It perfectly encompasses what a vampire is: a tormented and attractive being, but extremely lethal. Of course, at some point in the history of cinema, a love story with a vampire was going to be told, because it is clear that they could be the bad boys of any teen drama.


The Lost Boys (1987), fortunately, did a better job than twilight by using vampires as an analogy for how difficult adolescence is. In this eighties story set in California, they were concerned with exploring the consequences of abandoning young people to their fate, without opportunities, without a future and with a terrible desire to belong.

These guys are beautiful, but they’re also cursed. Also, his obsession with having an identity is not only annoying, it’s also dangerous.

Taika Waititi’s Vampires

Taika Waititi launched in 2014 What We Do In The Shadows, one of the best films of the genre. Not only did he playfully analyze what it would be like if vampires existed in real life, but he critiqued and put into perspective every cliché we know from the genre’s movies.

The reality is that if vampires as we know them existed, it wouldn’t be epic but ridiculous. And so Waititi let us see a mockumentary very well researched that makes us laugh while helping us better understand the versatility and changeability that vampires have in pop culture. In addition, it answers all the questions that one may have about the vampire life.

What we do in the Shadows

In short, we can say that the force that the vampire myth to change, update and mutate depending on the times and themes, makes these beings one of the best cinematographic tools to explore the most intricate aspects of human life.

Vampire Movies to understand the Genre – Out of Focus